Pensar en formas sonoro-simbólicas
In this article we approach the signification of timbral phenomena within the frame of Molino and Nattiez ́s semiotic model. We distinguish sound as vibration from symbolic sound forms. The latter are the result of human being ́s intentional and exclusive...
Guardado en:
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| Formato: | Artículo revista |
| Lenguaje: | spa |
| Publicado: |
Universidad Nacional del Litoral
2020
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/9714 |
| Sumario: | In this article we approach the signification of timbral phenomena within the frame of Molino and Nattiez ́s semiotic model. We distinguish sound as vibration from symbolic sound forms. The latter are the result of human being ́s intentional and exclusive act of sound production or reception and can be studied in it ́s triple dimension, as a material fact, as a perceived event in time and as an imaginary phenomena. Symbolic sound forms carry the signature of every sound production operation made by composers, luthiers, sound designers, phonographic producers and musicians. |
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