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Narrative of differences in the recomposition of a file

The following textual body is part of a doctoral research project which proposes a revision of the literary and critical discursive practices of Venezuelan literature of the first half of the 20th century, based on monstrous authorship as a category of reading and interpretation. A conception that r...

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Autor Principal: Álvarez, Verónica
Formato: Artículo revista
Lenguaje:spa
Publicado: Universidad Nacional del Litoral 2020
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9689
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spelling oai:bibliotecavirtual.unl.edu.ar:article-96892021-05-05T23:44:22Z Narrative of differences in the recomposition of a file Narrativa de las diferencias en la recomposición de un archivo Álvarez, Verónica The following textual body is part of a doctoral research project which proposes a revision of the literary and critical discursive practices of Venezuelan literature of the first half of the 20th century, based on monstrous authorship as a category of reading and interpretation. A conception that reexamines the reflection on the notion of author, which displaces and problematizes. It is a form of authorship in which not only the elaborated aesthetic product matters, but also the own vital attitude of the producer towards and within the literary territory in which it emerges and against which it struggles. These author constellations unmask an «anti-literary» proposal, slightly revised and therefore excluded, that reveals the fissures of an official narrative of the History of Venezuelan Literature. Congregate and analyze these singular and eccentric authorships, in any given cultural field, sketchs definitive traces for the possible elaboration of a counterhistory of Venezuelan literature that will dialogue and complete the official discourses narrated from the hegemonic notion of the literary. El siguiente cuerpo textual forma parte de un proyecto de investigación doctoral en el que se propone una revisión de las prácticas discursivas literarias y críticas de la literatura venezolana de la primera mitad del siglo XX, a partir de la autoría monstruosa como categoría de lectura e interpretación. Una concepción que vuelve a la reflexión sobre la noción de autor, a la cual desplaza y problematiza. Se trata de una forma de autoría en donde no solamente importa el producto estético elaborado, sino que también es relevante la propia actitud vital del productor hacia y dentro del territorio literario dentro del cual emerge y contra el cual lucha. Estas constelaciones autorales desenmascaran una propuesta «anti–literaria» poco revisada y por lo tanto excluida, que devela las fisuras de una narrativa oficial de la Historia de la Literatura Venezolana. Congregar y analizar estas autorías singulares y excéntricas, en cualquier campo cultural dado, bosqueja trazos definitivos para la posible elaboración de una contrahistoria de la literatura venezolana que dialogue y complete los discursos oficiales narrados desde la noción hegemónica de lo literario. Universidad Nacional del Litoral 2020-10-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion artículo Articulo info:ar-repo/semantics/artículo application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9689 10.14409/tb.v1i12.9689 El Taco en la Brea; Vol. 2 Núm. 12 (2020): El taco en la brea El Taco en la Brea; Vol 2 No 12 (2020): El taco en la brea 2362-4191 10.14409/tb.v1i12 spa info:eu-repo/grantAgreement/EC/FP7/ https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9689/13146 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9689/13147 info:eu-repo/semantics/openAccess Derechos de autor 2020 El Taco en la Brea
institution Universidad Nacional del Litoral
collection Publicaciones periódicas
language spa
format Artículo revista
description The following textual body is part of a doctoral research project which proposes a revision of the literary and critical discursive practices of Venezuelan literature of the first half of the 20th century, based on monstrous authorship as a category of reading and interpretation. A conception that reexamines the reflection on the notion of author, which displaces and problematizes. It is a form of authorship in which not only the elaborated aesthetic product matters, but also the own vital attitude of the producer towards and within the literary territory in which it emerges and against which it struggles. These author constellations unmask an «anti-literary» proposal, slightly revised and therefore excluded, that reveals the fissures of an official narrative of the History of Venezuelan Literature. Congregate and analyze these singular and eccentric authorships, in any given cultural field, sketchs definitive traces for the possible elaboration of a counterhistory of Venezuelan literature that will dialogue and complete the official discourses narrated from the hegemonic notion of the literary.
author Álvarez, Verónica
spellingShingle Álvarez, Verónica
Narrative of differences in the recomposition of a file
author_facet Álvarez, Verónica
author_sort Álvarez, Verónica
title Narrative of differences in the recomposition of a file
title_short Narrative of differences in the recomposition of a file
title_full Narrative of differences in the recomposition of a file
title_fullStr Narrative of differences in the recomposition of a file
title_full_unstemmed Narrative of differences in the recomposition of a file
title_sort narrative of differences in the recomposition of a file
publisher Universidad Nacional del Litoral
publishDate 2020
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/9689
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score 11.8626

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