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Afroargentine music: Notes for a social history of silence

This article presents the current state of knowledge of afroargentine music based on the author´s ethnographies in the last three decades in the provinces of Corrientes, Chaco, Santa Fe, Entre Ríos, Buenos Aires and Ciudad Autónoma de Buenos Aires. This update is contrasted with the opinion on the s...

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Autor Principal: Cirio, Noberto Pablo
Formato: Artículo revista
Lenguaje:spa
Publicado: Universidad Nacional del Litoral 2022
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11520
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spelling oai:bibliotecavirtual.unl.edu.ar:article-115202022-08-02T09:32:03Z Afroargentine music: Notes for a social history of silence La música afroargentina: apuntes para una historia social del silencio Cirio, Noberto Pablo This article presents the current state of knowledge of afroargentine music based on the author´s ethnographies in the last three decades in the provinces of Corrientes, Chaco, Santa Fe, Entre Ríos, Buenos Aires and Ciudad Autónoma de Buenos Aires. This update is contrasted with the opinion on the subject hurriedly issued by the orthodox academy, since until the end of the 20th century it affirmed that such music did not exist and neither did those who originated this music: the afro-argentines of the colonial trunk. Such dissociation between reality and story is explained from a theoretical framework that helps to understand silence as a space of power that the aforementioned academy reserved in its study of non-white groups that pre-existed the State, disregarding the scientific method in obedience to the project of the hegemonic groups in power that upheld a "white" Argentina mirroring the European metropolises and the United States of America. En este artículo se presenta el estado de conocimiento actual de la música afroargentina en base a la etnografía del autor en las últimas tres décadas en las provincias de Corrientes, Chaco, Santa Fe, Entre Ríos, Buenos Aires y la Ciudad Autónoma de Buenos Aires. Esta actualización se contrasta con el dictamen sobre el tema expedido con premura por la academia ortodoxa pues hasta fines del siglo XX afirmaba que no existía y, de hecho, tampoco los que originaron esta música, los afroargentinos del tronco colonial. Tal disociación entre realidad y relato es explicada desde un marco teórico que permite entender al silencio como espacio de poder que dicha academia se reservó en su estudio de los grupos no-blancos preexistentes al Estado, desatendiendo el método científico en obsecuencia a proyecto de los grupos hegemónicos en el poder que bregaban por una Argentina “blanca” a espejo de las metrópolis europeas y los Estados Unidos de América. Universidad Nacional del Litoral 2022-05-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion artículo Articulo info:ar-repo/semantics/artículo application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11520 10.14409/rism.2022.20.e0002 Revista del ISM; Núm. 20 (2022): Revista del Instituto Superior de Música; e0002 Revista del ISM; No 20 (2022): Revista del Instituto Superior de Música; e0002 2362-3322 1666-7603 10.14409/rism.2022.20 spa info:eu-repo/grantAgreement/EC/FP7/ https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11520/16161 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11520/16163 info:eu-repo/semantics/openAccess Derechos de autor 2022 Revista del ISM
institution Universidad Nacional del Litoral
collection Publicaciones periódicas
language spa
format Artículo revista
description This article presents the current state of knowledge of afroargentine music based on the author´s ethnographies in the last three decades in the provinces of Corrientes, Chaco, Santa Fe, Entre Ríos, Buenos Aires and Ciudad Autónoma de Buenos Aires. This update is contrasted with the opinion on the subject hurriedly issued by the orthodox academy, since until the end of the 20th century it affirmed that such music did not exist and neither did those who originated this music: the afro-argentines of the colonial trunk. Such dissociation between reality and story is explained from a theoretical framework that helps to understand silence as a space of power that the aforementioned academy reserved in its study of non-white groups that pre-existed the State, disregarding the scientific method in obedience to the project of the hegemonic groups in power that upheld a "white" Argentina mirroring the European metropolises and the United States of America.
author Cirio, Noberto Pablo
spellingShingle Cirio, Noberto Pablo
Afroargentine music: Notes for a social history of silence
author_facet Cirio, Noberto Pablo
author_sort Cirio, Noberto Pablo
title Afroargentine music: Notes for a social history of silence
title_short Afroargentine music: Notes for a social history of silence
title_full Afroargentine music: Notes for a social history of silence
title_fullStr Afroargentine music: Notes for a social history of silence
title_full_unstemmed Afroargentine music: Notes for a social history of silence
title_sort afroargentine music: notes for a social history of silence
publisher Universidad Nacional del Litoral
publishDate 2022
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11520
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score 11.8626

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