Recondite Etkin
In this work we analyze structurally the piece Recóndita armonía (1987) by Mariano Etkin (1943-2016) and the aesthetic framework that surrounded it based on the composer´s writings of the same period. The study argues that the aesthetic-technical oppositions that can be inferred from them (e.g., lin...
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Universidad Nacional del Litoral
2022
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11429 |
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oai:bibliotecavirtual.unl.edu.ar:article-114292022-08-02T09:32:03Z Recondite Etkin Recóndito Etkin Rodríguez, Edgardo José In this work we analyze structurally the piece Recóndita armonía (1987) by Mariano Etkin (1943-2016) and the aesthetic framework that surrounded it based on the composer´s writings of the same period. The study argues that the aesthetic-technical oppositions that can be inferred from them (e.g., linearity-nonlinearity, dialectical form-spatialized form) do nota have a direct correlate in the work in which the organic conception of pitch and rhythmic discontinuities are integrated, at different levels of the structure. En este trabajo se analiza estructuralmente la obra Recóndita armonía (1987) de Mariano Etkin (1943-2016) y el marco estético que la circundó a partir de los escritos del compositor de la misma época. En el estudio se sostiene que las oposiciones estético-técnicas que se pueden colegir de ellos (por ejemplo: linealidad-no linealidad, ser-estar, forma dialéctica-forma espacializada) no tienen un correlato directo en la obra, en la que, por el contrario, la continuidad orgánica de las alturas y las discontinuidades rítmicas están integradas en distintos niveles de la estructura. Universidad Nacional del Litoral 2022-04-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion artículo Articulo info:ar-repo/semantics/artículo application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11429 10.14409/rism.2022.20.e0004 Revista del ISM; Núm. 20 (2022): Revista del Instituto Superior de Música; e0004 Revista del ISM; No 20 (2022): Revista del Instituto Superior de Música; e0004 2362-3322 1666-7603 10.14409/rism.2022.20 spa info:eu-repo/grantAgreement/EC/FP7/ https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11429/16153 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11429/16173 info:eu-repo/semantics/openAccess Derechos de autor 2022 Revista del ISM |
| institution |
Universidad Nacional del Litoral |
| collection |
Publicaciones periódicas |
| language |
spa |
| format |
Artículo revista |
| description |
In this work we analyze structurally the piece Recóndita armonía (1987) by Mariano Etkin (1943-2016) and the aesthetic framework that surrounded it based on the composer´s writings of the same period. The study argues that the aesthetic-technical oppositions that can be inferred from them (e.g., linearity-nonlinearity, dialectical form-spatialized form) do nota have a direct correlate in the work in which the organic conception of pitch and rhythmic discontinuities are integrated, at different levels of the structure. |
| author |
Rodríguez, Edgardo José |
| spellingShingle |
Rodríguez, Edgardo José Recondite Etkin |
| author_facet |
Rodríguez, Edgardo José |
| author_sort |
Rodríguez, Edgardo José |
| title |
Recondite Etkin |
| title_short |
Recondite Etkin |
| title_full |
Recondite Etkin |
| title_fullStr |
Recondite Etkin |
| title_full_unstemmed |
Recondite Etkin |
| title_sort |
recondite etkin |
| publisher |
Universidad Nacional del Litoral |
| publishDate |
2022 |
| url |
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11429 |
| _version_ |
1740959670639525888 |
| score |
11.8626 |