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Paths of the technoscene in a pandemic context

COVID 19 and the consequent policy of isolation adopted by the countries of the world had different repercussions on social life. In the field of theatre and the performing arts, there are two ways of looking at the same event: a technophobic view that proclaims the nature of theatre as an effective...

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Autores Principales: Hernández, Moira Gisela, Catrihuala, Carlos Omar
Formato: Artículo revista
Lenguaje:spa
Publicado: Universidad Nacional del Litoral 2021
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10228
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spelling oai:bibliotecavirtual.unl.edu.ar:article-102282021-05-10T13:16:05Z Paths of the technoscene in a pandemic context Rumbos de la tecnoescena pandémica Hernández, Moira Gisela Catrihuala, Carlos Omar COVID 19 and the consequent policy of isolation adopted by the countries of the world had different repercussions on social life. In the field of theatre and the performing arts, there are two ways of looking at the same event: a technophobic view that proclaims the nature of theatre as an effective coexistence between actor and audience, vindicating this link almost as an auratic state; and on the other hand, the view of those who see in this situation a possibility of exploring virtual textualities, that is, a theatrical evolution linked to technology. The former argue that this dematerialisation of theatre provokes a loss of meaning that undermines its social character, and the latter, an alternative that has been little explored by the theatre scene, but not for performance or liminal poetics. The work we are analysing, La maldición de la corona by the Catalan group La Fura Dels Baus, considers technology inseparable from social and therefore theatrical evolution. From the most purist theatrical thoughts anchored in coexistence, we move on to the notion of technoscene and the consequent virtual life of artistic works. El COVID 19 y la consecuente política de aislamiento adoptada por los países del mundo tuvieron distintas repercusiones en la vida social. En el campo del teatro y las artes escénicas, existen dos modos de mirar el mismo evento: una mirada tecnofóbica que proclama la naturaleza del teatro como una coexistencia efectiva entre actor y público, reivindicando ese vínculo casi como estado aurático; y por otro lado, la mirada de quienes ven en esta situación una posibilidad de explorar textualidades virtuales, es decir, una evolución teatral ligada a la tecnología. Los primeros sostienen que esta desmaterialización del teatro provoca una pérdida de sentido que socava su carácter social y los segundos, una alternativa poco explorada por la escena teatral, pero no para la performance o la poética liminal. La obra que analizamos, La maldición de la corona del grupo catalán La Fura Dels Baus, considera a la tecnología inseparable de la evolución social y por lo tanto teatral. De los pensamientos teatrales más puristas anclados en la convivencia pasamos a la noción de tecnoescena y la consecuente vida virtual de las obras artísticas. Universidad Nacional del Litoral 2021-04-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion artículo Articulo info:ar-repo/semantics/artículo application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10228 10.14409/tb.v1i13.10228 El Taco en la Brea; Vol. 1 Núm. 13 (2021): El taco en la brea; 128-135 El Taco en la Brea; Vol 1 No 13 (2021): El taco en la brea; 128-135 2362-4191 10.14409/tb.v1i13 spa info:eu-repo/grantAgreement/EC/FP7/ https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10228/13661 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10228/13711 info:eu-repo/semantics/openAccess Derechos de autor 2021 El Taco en la Brea
institution Universidad Nacional del Litoral
collection Publicaciones periódicas
language spa
format Artículo revista
description COVID 19 and the consequent policy of isolation adopted by the countries of the world had different repercussions on social life. In the field of theatre and the performing arts, there are two ways of looking at the same event: a technophobic view that proclaims the nature of theatre as an effective coexistence between actor and audience, vindicating this link almost as an auratic state; and on the other hand, the view of those who see in this situation a possibility of exploring virtual textualities, that is, a theatrical evolution linked to technology. The former argue that this dematerialisation of theatre provokes a loss of meaning that undermines its social character, and the latter, an alternative that has been little explored by the theatre scene, but not for performance or liminal poetics. The work we are analysing, La maldición de la corona by the Catalan group La Fura Dels Baus, considers technology inseparable from social and therefore theatrical evolution. From the most purist theatrical thoughts anchored in coexistence, we move on to the notion of technoscene and the consequent virtual life of artistic works.
author Hernández, Moira Gisela
Catrihuala, Carlos Omar
spellingShingle Hernández, Moira Gisela
Catrihuala, Carlos Omar
Paths of the technoscene in a pandemic context
author_facet Hernández, Moira Gisela
Catrihuala, Carlos Omar
author_sort Hernández, Moira Gisela
title Paths of the technoscene in a pandemic context
title_short Paths of the technoscene in a pandemic context
title_full Paths of the technoscene in a pandemic context
title_fullStr Paths of the technoscene in a pandemic context
title_full_unstemmed Paths of the technoscene in a pandemic context
title_sort paths of the technoscene in a pandemic context
publisher Universidad Nacional del Litoral
publishDate 2021
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10228
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score 11.8626

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