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Theatrical implications in the performance of Gata Cattana's feminist rap

This work questions the role of performance in building and delimiting the poetics of feminist rap. Initially, the meanings of performance will be presented, both in terms of the links between the author and her rap alter ego, and in terms of the links she maintains with her reception. A corpus of f...

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Autor Principal: Alba, Susana Pinilla
Formato: Artículo revista
Lenguaje:spa
Publicado: Universidad Nacional del Litoral 2021
Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10225
id oai:bibliotecavirtual.unl.edu.ar:article-10225
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spelling oai:bibliotecavirtual.unl.edu.ar:article-102252021-05-10T13:16:05Z Theatrical implications in the performance of Gata Cattana's feminist rap Implicaciones teatrales en la performance del rap feminista de Gata Cattana Alba, Susana Pinilla This work questions the role of performance in building and delimiting the poetics of feminist rap. Initially, the meanings of performance will be presented, both in terms of the links between the author and her rap alter ego, and in terms of the links she maintains with her reception. A corpus of four songs by the artist will be used for this analysis, which will be reviewed under the precepts of rhetoric and sociolinguistics from a feminist approach based on the theory of intersectionality in order to delimit how performance influences the artist's reception. The results point to the utilitarian use of rap to impact on her contemporaries, for which the artist employs politropia. On the one hand, she appeals to a young Andalusian audience with a view to safeguarding what is autochthonous and the memory through cathartic identification; on the other hand, she articulates a discourse for its international reception by resorting to the transformative potential of its specific realities. En este trabajo se cuestiona la función de la performance para construir y delimitar la poética del rap feminista. En un primer momento, se expondrán los significados de performance tanto en los vínculos entre la autora y su alter ego en el rap, como en los que mantiene para con su recepción. Nos servirán para este análisis un corpus de cuatro canciones de la artista que se revisarán bajo los preceptos de la retórica y la sociolingüística desde un enfoque feminista basado en la teoría de la interseccionalidad a fin de delimitar cómo la performance influye en la recepción de la artista. Los resultados apuntan al uso utilitarista del rap para impactar en sus coetáneos, para lo que la artista emplea la politropía. Por una parte, apela a un público joven andaluz con vistas a salvaguardar lo autóctono y la memoria mediante la identificación catártica; por otra parte, articula un discurso para su recepción internacional recurriendo al potencial transformador de sus realidades particulares. Universidad Nacional del Litoral 2021-04-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion artículo Articulo info:ar-repo/semantics/artículo application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10225 10.14409/tb.v1i13.10225 El Taco en la Brea; Vol. 1 Núm. 13 (2021): El taco en la brea; 85-101 El Taco en la Brea; Vol 1 No 13 (2021): El taco en la brea; 85-101 2362-4191 10.14409/tb.v1i13 spa info:eu-repo/grantAgreement/EC/FP7/ https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10225/13655 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10225/13708 info:eu-repo/semantics/openAccess Derechos de autor 2021 El Taco en la Brea
institution Universidad Nacional del Litoral
collection Publicaciones periódicas
language spa
format Artículo revista
description This work questions the role of performance in building and delimiting the poetics of feminist rap. Initially, the meanings of performance will be presented, both in terms of the links between the author and her rap alter ego, and in terms of the links she maintains with her reception. A corpus of four songs by the artist will be used for this analysis, which will be reviewed under the precepts of rhetoric and sociolinguistics from a feminist approach based on the theory of intersectionality in order to delimit how performance influences the artist's reception. The results point to the utilitarian use of rap to impact on her contemporaries, for which the artist employs politropia. On the one hand, she appeals to a young Andalusian audience with a view to safeguarding what is autochthonous and the memory through cathartic identification; on the other hand, she articulates a discourse for its international reception by resorting to the transformative potential of its specific realities.
author Alba, Susana Pinilla
spellingShingle Alba, Susana Pinilla
Theatrical implications in the performance of Gata Cattana's feminist rap
author_facet Alba, Susana Pinilla
author_sort Alba, Susana Pinilla
title Theatrical implications in the performance of Gata Cattana's feminist rap
title_short Theatrical implications in the performance of Gata Cattana's feminist rap
title_full Theatrical implications in the performance of Gata Cattana's feminist rap
title_fullStr Theatrical implications in the performance of Gata Cattana's feminist rap
title_full_unstemmed Theatrical implications in the performance of Gata Cattana's feminist rap
title_sort theatrical implications in the performance of gata cattana's feminist rap
publisher Universidad Nacional del Litoral
publishDate 2021
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/10225
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score 11.8626

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