Should we speak of “a principle of harmony in general” in Leibniz?
My purpose is to show that the general notion of harmony is transformed by Leibniz into a “principle”, and more specifically into a “principle of general harmony”. In the beginning, Leibniz establishes a distinction between the “harmonia universalis” and the “harmonia praestabilitata”, it means: bet...
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| Formato: | Artículo revista |
| Lenguaje: | spa |
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ARFIL y UNL
2020
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Topicos/article/view/10001 |
| Sumario: | My purpose is to show that the general notion of harmony is transformed by Leibniz into a “principle”, and more specifically into a “principle of general harmony”. In the beginning, Leibniz establishes a distinction between the “harmonia universalis” and the “harmonia praestabilitata”, it means: between the general notion of harmony and his particular use in the mind-body problem. But in the last philosophy of Leibniz, appears a common denomination for the both harmonies as “principle of the general harmony”, in the sense of principle of the “divine wisdom”. |
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